ARTISTS
Stone, leaf, grass, branch, wood, metal, cement, marble or sand. The surroundings, the open space and the landscape become ideal materials and supports for the artist.
Stone, leaf, grass, branch, wood, metal, cement, marble or sand. The surroundings, the open space and the landscape become ideal materials and supports for the artist.
In an increasingly specialized and mediatized world, I find in the manual laboriousness of certain trades alternatives that, when practiced, develop and amplify bonds. It is a way of resisting the rigid processes of mercantilization. It is not a question of new forms of economy or anti-capitalist organizations but of redeeming the potentiality that still lies, hidden, in certain things that seem dead or obsolete.
See his work at BellatrixMy work is about our fauna in danger of extinction, the use of agrochemicals, the felling of native forests and animal mistreatment. I am very involved with environmental issues and what is related to the species that cohabit our territory.
See her work at BellatrixI have always been interested in living beings, so much so that I took a doctorate in biology without ever ceasing to express myself artistically. Working with metal mesh, biological and sculptural concepts converged to think and feel that they are, precisely, in the multiple forms of the living where the human condition is also developed and realized. The metal meshes refer to biological tissues, the skin, the interface between the self and the other, between interior and exterior. But transparency, the fusion of bodies or the inclusion of an animal within another, breaks the idea of individuality and suggests another type of unity: systems. The separation between one and the other is not absolute, the limits are permeable, the boundaries are intertwined, bodies and territories are mixed, identities are intertwined and different worlds that interact coexist, an interior and an exterior whose boundaries are crossed.
See her work at BellatrixThe artistic work reflects visually on the cultural pertinence of the scientific and artistic operations. Art and science are put in relation to visualize, to register and to model the nature of the other with whom we share our habitat.
See his work at BellatrixI was born in 1961 in the city of Buenos Aires, Argentina. I share my dedication to art between production, research and teaching. Since I was very young I was in contact with an area (very close to the city) made up of rivers and small islands. I spent my weekends enjoying that place and connecting with nature.
See his work at BellatrixSculptor. His work speaks of offerings and conversations with nature. He carves granite and marble with an intimacy you can sense in the result: the material lends part of its strength to sight and touch.
See his work at BellatrixBellatrix is a place to connect intimately with oneself. It is the site that houses "The Forest" that I went through in the most introspective moment of my life. Where space inspires us to linger and heal wounds.
See his work at BellatrixMy initial contact with each of the places is walking, as a way of linking water and land with the horizon. I enter, in turn, underground territories that I cannot see, but whose existence I can verify in various ways, "see" the earth and water with my intuition and perceive them, since they are bodies that emit magnetism or radiation. I listen to the material and its resonances.
See her work at BellatrixPainter, draughtswoman and muralist (1932-2022). A key figure in Argentine art, she created a unique visual language of organic forms, lines, shadows, light, dreamlike worlds and a deeply expressive use of color.
See her work at BellatrixShe uses art as a tool for self-knowledge and transformation. Since 1999, she has worked with wood to connect with absolute beauty. Through movement, sensuality, and subtle forms, she creates three-dimensional sculptures that evoke the mysterious and the infinite.
See her work at BellatrixDifferent reviews can be summarized in the following statement about his work:
The gesture in space as the epic of sculpture is the center of his production. His work is an invocation of the possibility of the representation of the forces in space.
The artist constructs and creates iron sculptures with the forcefulness of an ancestral material that refers us to fire and to the atavistic elements.
The alchemy of the metal and its union with the landscape of nature creates a mystical alliance of introspection and contemplation.
These projects are site-specific installations; they propose an encounter through a dislocation, a displacement from the realm of nature to the field of art.
See her work at Bellatrix
